The Buddha
identified the three characteristics or the Three Marks of phenomenon (Thri
Lakkhana), impermanence, suffering and selflessness (egolessness), as
doorways to liberation (Vimukthi Mukha). This philosophy is only found
in Buddhist teachings and is beyond the common understanding of the world for
instance, the notion of impermanence.
The reality of
impermanence is misconceived in the world as it recognises it as impermanence
of a thing or being that is already exists. A piece of furniture, for e.g. a
table, is considered as an item that is subject to the phenomenon of
‘Impermanence’, similarly a car or a person. This is the understanding within
the world. The drawback as seen from the point of view of Buddha’s teaching
here is that the thing or the person is first recognised as something that
exists in the world before its nature of impermanence, in the worldly sense, is
taken into consideration.
One can contemplate
on ‘impermanence’ of things or persons in this manner; however, will never be
able to see it by himself at once, which is fundamental to Buddhist
realisation. Note here that the person is already deceived by the Distortions (vipallasa),
through perception, mind, and view, in determining the object that exist before
attention is drawn to the impermanent nature of the object. Contemplating in
this manner will help to an extent in acquiring merits and reducing the
defilements of greed and aversion, nevertheless, the being is not free from
forming Kamma, as Merit itself is considered as forming kamma ( punyabhi
sankhara).
The Buddha advised
to see beyond the form as a product that is formed due to combination of
factors, as a result of the cause and effect phenomenon. He pointed to the
transitory nature of form and stressed the importance of observing the arising
and ceasing phenomenon to recognise it's impermanent nature. By pursuing in
this manner through insight meditation, it is said, one can realise that things
do not exist before or after the occurrence of ‘seeing’ but arise to the
occasion when conditions are present and cease thereafter when conditions
cease to exist. This is referred to as pubbanta nana (knowledge
that things didn’t exist before) and aparata nana (knowledge
that things do not exist after), knowing both and seeing it’s arising and
ceasing nature at the present is known as pubbanta-aparanta nana.
When the above is known one is considered as knowing the Dependant Origination
occurrence (Paticcasamuppada Nana). Realising the arising ceasing nature
of form completely eradicate ignorance. When one is free from ignorance there
is no more craving or clinging, thus no ‘existence’ (bhava) . When he is
freed from existence he is free from becoming or jati and
hence, decay and death and so on, that is defined as suffering.
It is also said
that impermanence leads to suffering, Yadaniccan tan dukkan. This
is due to the notion of permanence grasped by the worldly beings. When the
reality is not known the man believes that the things they form in mind, sanskaras, in relation to
external objects exist permanently. He is ignorant of the transitory nature of
compounded things and thus clings to the impressions formed in mind as those
which exist permanently out there. Due to the fact that the mental impression
is formed by himself in his own mind it lingers in his memory, grasping as man,
woman or car etc. This is the view with which we lay people interact in this
world accumulating karma in the process. The suffering occurs when the
external objects which are subject to transformation appear different to the
mental impressions that he has grasped as things or persons that are permanent. When he
realises the error and overcomes his ignorance through the Right View, he is
not deceived anymore and hence eliminate craving & clinging, the cause for
suffering. It is further said when it is suffering it cannot be considered as
‘me or mine’ hence Anatma
(selfless), Yan Dukkan
Tadanatta. Through the Right View one will see the three characteristics of
phenomena, Impermanence, Suffering and Selflessness.
The Simile of the Mirror Image
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