During Buddha’s time a
monk asked another monk how one could well purify his or her vision (darshana visuddhi). When a person
discerns arising and passing away of the six sense bases, as they actually are,
his or her vision is said to be well purified replied the other monk.
The first monk was not
satisfied with this answer and went to another monk and asked him the same
question, how one could well purify his or her vision? He responded, my friend,
when a person discerns, as it actually is, arising & passing away of the
five clinging-aggregates his or her vision is said to be well purified.
The first monk was not
satisfied with this answer either and went to yet another monk and requested an
answer to his question. This monk’s response was, when a monk discerns, as it
actually is, arising & passing away of the four great elements [earth,
water, wind, & fire], his or her vision, my friend is said to be well
purified.
The first monk was not
satisfied with this answer either and went to still another monk and put
forward his question to him. This monk replied, my friend, when a person discerns, as it actually is,
that whatever is subject arising is all subject to cessation his or her vision
is said to be well purified.
Not satisfied with the
answers given by these other monks the first monk went to the blessed one,
having bowed him on arrival the monk reported his conversation with the other
monks and requested tathagatha’s view on this.
The blessed one
addressed the monk and said, I will explain this to you with a simile.
The Simile of the Tree (Flame of the Forest)
A man who has never seen a Flame of the Forest[1] tree goes to a person who has seen one and asks him, friend what does a Flame of the Forest tree look like? Then the other man replies, it is black and looks like a burnt stump.
A man who has never seen a Flame of the Forest[1] tree goes to a person who has seen one and asks him, friend what does a Flame of the Forest tree look like? Then the other man replies, it is black and looks like a burnt stump.
The man is not happy with this
answer and goes to another person who has seen a Flame of the Forest tree and asks
him what the tree looks like. This man would say, my friend, it looks like a
lump of flesh.
Not happy with this answer the man
goes to yet another person and asks him, what a Flame of the Forest tree looks
like. It is a tree stripped of its bark, my good man, and has
burst pods, like an acacia tree, says that man.
The man is still not satisfied an goes
to still another man and asks the same question. He replies, it’s a tree that
has thick foliage, freind, and gives a dense shade, like a banyan.
All these men have expressed their
individual experience for as at the time they saw it that’s what the Flame of
the Forest tree was like.
When a Chena[2]
that is being prepared for cultivation all the vegetation, trees & plants
alike get burnt. A flame of the forest tree that is pruned and burnt with
others will look like what the first man saw, a burnt stump. As the time goes
by with rains shoots begin to appear and it will look like the way the second
man described. Likewise the two other men described how a flame of the forest
tree looked when they saw it at different stages of its regrowth after burning;
the last man saw the fully grown tree.
"In the same way, monk, however
those wise men of integrity were focused when their vision became well purified
is the way in which they answered”, said the Buddha, “I will explain this
dhamma to you with another simile.”
The Fortress with Six Gates
A king who rules a provincial state has a palace fortified with a rampart & moats. The rampart wall has six gates which are manned by an experienced, efficient & wise gate keeper. This gate keeper is loyal to the king and clearly identifies who is the enemy and who is not and allows only the people who are supportive and harmless to the provincial king to go through. Two swift messengers approach from the North and inquire from the gate keeper, where the ruler of the fortress is. The gate keeper directs the two messengers to the king who sits at the city square where four roads meet. The swift pair of messengers would then deliver the message accurately and precisely as it is to the king & go back by the same route they had come. Another pair of messengers come from the South and delivers the ruler the message accurately as it is & returns via the same route they came from. Likewise messengers who reach the fortress from other directions deliver the message accurately and precisely as it is, and go back by the same route they had come.
A king who rules a provincial state has a palace fortified with a rampart & moats. The rampart wall has six gates which are manned by an experienced, efficient & wise gate keeper. This gate keeper is loyal to the king and clearly identifies who is the enemy and who is not and allows only the people who are supportive and harmless to the provincial king to go through. Two swift messengers approach from the North and inquire from the gate keeper, where the ruler of the fortress is. The gate keeper directs the two messengers to the king who sits at the city square where four roads meet. The swift pair of messengers would then deliver the message accurately and precisely as it is to the king & go back by the same route they had come. Another pair of messengers come from the South and delivers the ruler the message accurately as it is & returns via the same route they came from. Likewise messengers who reach the fortress from other directions deliver the message accurately and precisely as it is, and go back by the same route they had come.
The fortress stands for the body.
The six gates represents our six senses. The gate keeper who only allows
messengers who deliver messages accurately & precisely as they are, stands
for Mindfulness. The two swift messengers stands for tranquillity (samatha) and insight (vipassana). The four way junction where
the king resides signifies the four great elements the earth-property, the liquid-property, the fire-property,
& the wind-property. The ruler or the king is consciousness (vinnana). The message accurate and
precisely as it is, stands for emancipation (nirvana). The route by which they had come stands for the noble
eightfold path: right view, right resolve, right speech, right action, right
livelihood, right effort, right mindfulness and right concentration." The
swift messengers (tranquillity & Insight)report things only ‘as they really
are’ which is the message of emancipation.
When
we relate this simile to our own life, though we seem to have a City fortified adequately
with six gates, our gate keeper is not wise, experienced & efficient. He
lets in any one that comes through the gates and wouldn’t mind who brings the
message accurately and precisely as it is or not. The messengers that he allows
are not swift but slow and are called ignorance (delusion) and craving for existence.
They come from all six gates and deliver inaccurate messages which are contrary
to the reality as it is. The king (Consciousness) constantly receives false
information about self, beings and things which exist when in real terms there
aren’t such existences. They report about luxuries such as celebrations,
parties, food, cinema, people, and vehicles etc., so called things of pleasure that exist outside the
wall. These messengers tempt the king (or consciousness) to come out of the
fortification & get caught up in worldly vicissitude & delusion. They
make the king to believe things that are seen heard etc. exist out there, i.e.
the distorted view of wholesomeness, permanence, satisfactoriness & self
(soul). The messengers deliver messages of evil to make the king walk out of
the fortress where he will be insecure and prone to harm. This is our life,
says Venerable Mankadawala Sudassana Thero. ‘The old kamma is the City fortified
with the wall with six gates and the new kamma occur when we move outside the
wall.’
To free ourselves from this misery
it is eminent that we employ an efficient, experienced and a wise gate keeper who
will only allow messengers that deliver messages that are accurate and precisely
as they are i.e, tranquillity & Insight, in other words the reality or the truth
about the form to the mind.He should be knowledgeable about the true nature of
unwholesomeness, impermanence, unsatisfactoriness and non self.
The messengers should go back on the
same route they come from, i.e, the Noble Eight fold path. In other words, the
visual experience should end where it occurs. What is apparent now is that they
come from one direction (say through the eye) and go back through another
route, e.g. the ear; we believe that what we hear can be seen as well. To ensure that the message that is delivered is accurate and
precise as it is we need to be endowed with the Right View (Ditti Sampanna). In order to gain such
wisdom we should first seek guidance from a Noble Friend (Kalyanamitta) who can direct us to the right path.
We can gain the Right View or in
other words well purify our vision by any of the four ways that was discussed
above, by knowing sense bases as they really are and their arising &
passing nature, by knowing the four elements as they really are and their
arising & passing nature, by knowing the five aggregates as they are and their
arising & passing nature and all that arise due to conditions ceases when
the conditions cease to exist. In short by knowing things as they really are.
Venerable Sudassana Thero explains
this by examining the four elements and their arising & passing nature and he
says by comprehending this dhamma in this manner one would know how it can be
understood through the other methods as well. The Thero points out that the
causes which condition arising of the four elements & arising of five
aggregates, for instance, are the same. These causes as identified by Buddha
are ignorance (avidya) Deeds (Kamma) Craving (tanha), Neutriments (ahara)
and not knowing these four ( having no knowledge of Nibbanti lakshana). In the absence of these five causes the four
elements (or five aggregates) cease to exist[3].
The one who comprehends this dhamma is known as the one who is endowed with the
right view (Ditti Sampanna). However,
mere understanding of these occurrences is limited to the understanding of the
text only and not gaining the required wisdom. The right way is to deliver the
message of emancipation accurately & precisely as it is to the king in
terms of impermanence, unsatisfactoriness and non self that invoke deliverance of being free from impressions - signless (animitta cheto vimukti), not having anything substantial that we can long to - desireless (appanihita cheto vimukti) & free from notions of self or sentient – emptiness (sunnata cheto vimukti).
The Simile of the Chair
The Simile of the Chair
Ven. Sudassana Thero refers to a
simile of a chair that is formed by four elements and conditioned by ignorance,
kamma craving & nutrients. A carpenter decides to make a chair of a unique design
that does not exist anywhere. First he conceives a design in his mind, a mental
image of the chair he wants to create with components such as four legs, the
back rest and decorative elements to his preference. This mental image is a
kamma formation (Sanskara) and this process is referred to as conceiving a form
for formation in the Buddhist cannon[4] , says Ven. Sudassana.
The carpenter’s concept for the
chair he intends to make (mental image-Sankara) is conditioned by ignorance
(delusion)[5].
With his desire (or craving) to make the chair and own it, he goes into the
forest & cut a suitable tree that is formed by the four great elements. He
would cut a log and saw it into different sections to fabricate the chair as
per his mental image.
He would keep shaping the timber by planning & carving
until he is satisfied with the outcome. In other words he arranges the four great
elements in space, consistent with the design of the chair he conceived in his
mind. The final product, the chair is conditioned by ignorance, kamma, craving
and nutrients (four great elements). Now when the carpenter sees the completed
chair he recalls the mental image he originally conceived and therefore
overlooks the actual causes that conditioned that outcome, i.e. Ignorence,
Kamma Craving, Nutriments and not knowing that causality (nibbanti lakshana). He simply disregards that the chair is a
formation of four great elements.
Silkworm and the Cocoon
Silkworm and the Cocoon
This is a tragedy similar to that a
silkworm undergoes, says Ven. Sudassana. The silkworm spins a cocoon to shield
itself until it grows into a Moth. People remove these cocoons from mulberry
trees and dip them in boiling water to extract the fiber (from the cocoon)
which comes out as
one continuous strand of silk. The silkworm meets the
unexpected death due to the cocoon it creates by itself. Similarly we undergo
suffering due to formation (Sankara) that we create ourselves[6].
The state of formation is also known as Ayohana
Sankara as we keep building up on our formations adding further detail.
What the carpenter has created is
formation of four great elements in the space (air element) as conditioned by
ignorance, kamma & craving. However, due to his delusion he begins to
consider the four great elements in front of him (what he formed &
fabricated) as a chair. The mental image he conceived is projected on the formation
of four great elements to know it as a chair due to his delusion and therefore the
final product can now deceive the others too. When the object composed of the four
great elements gets deformed or damaged due to some reason the carpenter thinks
the chair is broken or damaged.
This is a metaphor that the
Venerable Thero uses to explain how we form the notion of mother for e.g. &
strengthens the resultant bond by continuing to build on that (ayohana
sankara). Owing to the love and attachment we have towards mother we like to see her as often as we can. When we see a
formation or a shape where four elements are grouped similar to the shape we
have conceived as mother, that mental image awakens in our mind and we overlook
the fact that it is a formation of four elements. For instance, instead of
seeing the element of hardness (Patavi)
in the figure, we see mother’s hair and mother’s teeth etc. & we attribute
everything that belongs to the mother (in the mental image) to the four elements formed in space. Due to our defilements we see mother in the
formation of four elements. When these four elements change we suffer due to
decay of our mother and eventually due to the death of our mother. Once we
comprehend the truth as it is (the reality) we will not be deceived anymore and
hence be free from suffering.
When we close our eyes, though there
is no eye, an object or eye consciousness, we can visualise ‘me’ myself. That
is the impression we carry of our imagination formed due to ignorance (it is Sankara)
which we keep grooming with craving. Our body develops & shapes according
to the way we conceive the notion of ‘me’. We
see ‘me’ only as we formed and not as a body composed of four elements.[7]
The one who is endowed with the right view (ditti sampanna), or a stream winner
does not see self, permanence, satisfactoriness or wholesomeness etc. in
conditioned phenomena and hence is free
from suffering being not deluded.
As long as there is greed, ill will
& delusion we retain impressions of objects (nimithi anu nimithi) of self (person, sentient) & pleasurable
things. The impressions stimulate our senses and thus we see people
& things around us. Only the minds that are polluted with greed, hatred
& delusion associate four elements. The one who sees arising ceasing nature
of aggregates sees the emptiness & will not retain impressions thereby
abandoning the defilements of greed hatred and delusion.
Getting back to the simile of the
fortress with six gates, the message that needs to be delivered to the king is
the truth of four elements and not distorted notions such as self-view. This is
a profound dhamma that one needs to see with insight and hence cannot be
comprehended by the unwise. The Path leads to deliverance (ceto vimukti) that is threefold as described above which is not gaining
enlightenment but are the doorways to reach enlightenment.
[1]
Flame of the Forest is a tropical tree
which is also called Kinshuk (Sanskrit) or Kaala in Sinhala
[2]
an area of virgin or secondary timberland in a dry tropical region cleared and
cultivated
[3]
these amount to 50 qualities 25 (5X5) for arising and 25 for ceasing explained
in dhamma as sama panas lakshana
[4]
Rupan Rupattaya Sakathan Abhisankaranthothi Sankaran
[5]
As expressed in the doctrine of Dependent Origination, Formation is conditioned
by ignorance.
[6]
The formation (Sankara) is related to the plight of a silkworm in Buddhist
scripts.
[7]
Consciousness conditions Name Matter and Name matter conditions six sense
bases.